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FEATURED PROJECTS
While in recent years HIV has become a controlled pathology that is not serious and countless studies show that effective treatment means that people who carry the virus do not transmit it, society has lagged behind.
Stigma remains between our HIV-positive bodies and, with it, rejection.
HIV-positive bodies face rejection in every personal interaction when this status is and/or should be revealed. This leads HIV+ people to live with anguish their HIV status, to concealment and fear.
But this discrimination is not only on a personal level. According to a study by the Legal Clinic of the Faculty of Law of the University of Alcalá and CESIDA during 2015, the majority of the cases of discrimination faced by HIV-positive people in Spain are: access to public employment (State Security Forces); access to services (contracting insurance and private services); confidentiality of personal data and violation of the right to privacy (disclosure of serological status and submission to HIV testing).
Much remains to be done to ensure that HIV-positive bodies are not marked with a “rejected”.
Our obsession with time has been known for centuries. Time is measured, fractioned and standardized to synchronize humanity. Gadgets of all kinds have arisen to carry out this task. From the rudimentary sundial to the atomic pointer clock, through sand, rope and quartz.
The heights of obsession with time in our age have skyrocketed as if “wasting it” was almost a sin. Productivity rules, we must do more in less time and with the time saved we must do more. But social dictates command to do even more, we must dedicate time to leisure and share it in networks. We have reached such an extreme that not having time is a symbol of social status.
We run out of time and try to grasp it in a futile way, like a dictatorship of the hands of that clock to which we pay homage. We are slaves of our time.
Performance Art School
Performance Art School (PAS) es un proyecto artístico-educacional dirigido por el artista Miguel Andrés. El proyecto pretende acercar el mundo del performance art a la sociedad, comprendiendo este arte como una herramienta de transformación social y personal.
Remembranza
There are places where you have lived many thing and when you leave them a part of you stays there.
Every experience leaves a mark on the memory. The past is anchored in the mind and comes back at times. Abandoned spaces also have their memory, all the stories that have lived in them. A ghost that keeps remembering everything lived.
HIV Rejected
While in recent years HIV has become a controlled pathology that is not serious and countless studies show that effective treatment means that people who carry the virus do not transmit it, society has lagged behind.
Stigma remains between our HIV-positive bodies and, with it, rejection.
HIV-positive bodies face rejection in every personal interaction when this status is and/or should be revealed. This leads HIV+ people to live with anguish their HIV status, to concealment and fear.
But this discrimination is not only on a personal level. According to a study by the Legal Clinic of the Faculty of Law of the University of Alcalá and CESIDA during 2015, the majority of the cases of discrimination faced by HIV-positive people in Spain are: access to public employment (State Security Forces); access to services (contracting insurance and private services); confidentiality of personal data and violation of the right to privacy (disclosure of serological status and submission to HIV testing).
Much remains to be done to ensure that HIV-positive bodies are not marked with a “rejected”.
Collaborations
Caption This is custom heading element Coming soon Próximamente Caption Caption Caption Caption Caption Caption Caption Works — 2019 Performance Art School ¡Eh tú, maricón! HIV Rejected Slaves of our time — 2018 Social censhorship El inviolable La hostia Democracia Return to multiverso Radicalization Arte precario I’m not a red ribbon — 2017 Cuerpos indetectables …
Moi Desventurado
Moi es todo un superviviente, ya lo dice su nombre, Moisés, de Moshé, que en hebreo significa “Salvado de las aguas”. Lidia con la vida y lucha por conseguir sus sueños y ser feliz.
Es joven, no demasiado feo, algo raro a veces, con grandes momentos de lucidez y otros tantos de confusión. Pero tiene un problema, un gran problema: es gay y le gusta el sexo. Chats, discos de ambiente, citas a ciegas… esto para otro gay cualquiera podría ser, simplemente, otra vicisitud más de la vida, pero para Moi eso se traduce en una serie de desventuras sexuales.
Mente Subterránea
Brain is a neuronal jumble that interweaves through the synapses to make a very complex network.
Brain is plastic. It changes with each experience, and knowledge, turning the connections. Neurotransmitters and other molecules distort our knowledge, our perception of the world, and our personality.
Mente Subterránea (Underground Mind) is a small research about our consciousness, about the neuronal interconnections that at end of day make us what we are.
Explorers
Alone in front of the camera, with no shield but his own nakedness, the artist moves to the world of “Explorers”, an intimate and imaginary space where he can unleash his imagination. He transforms himself into a self-explorer, an obsessive researcher striving to capture every gesture, movement, expression… Each wink, each light and each shadow.
De carne y algodón
Sergio es un actor fracasado. El mundo le ha dado la espalda y le ha enseñado la cruda realidad:la vida de ensueño que le vendieron por la tele se pierde en el horizonte de lo inalcanzable. Él nos invita a entrar en su cuarto para olvidarnos de ese mundo y sumergirnos por un momento en el suyo.
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