Performative action against HIV stigma.

Art brings great value to society, from beauty to ideas and discourses that are not dealt with in other areas. Nevertheless, the promotion of the arts is still in crisis and institutions are washing their hands of it. Art seems to be superfluous in this society just when we need it most.

Thus, artists are forced into double precariousness. The labour market in which they are forced to participate in order to survive and the art “market” itself, which mistreats them and uses them as ephemeral products.

“Return to Multiverso” se trata de una nueva versión de “Multiverso”, una acción anterior de la artista Marta Pinilla. En “Multiverso”, los performers acababan de atravesar un agujero negro y se encontraban en una universo paralelo. En este universo, habían perdido parte de su humanidad, en el sentido que habían perdido parte de lo que nos hace humanos y poseían esa característica propia de lo siniestro, que provoca atracción y rechazo al mismo tiempo. Los nuevos seres (o “bichos”), se transformaban en observadores de la realidad, a la vez que ellos eran el objeto de investigación.

Intentaban comunicarse, relacionarse con los humanos que encontraban en el camino y poseían un lenguaje propio basado en el propio sonido que producen los trajes. En posteriores acciones de la artista esta idea original se ha ido diluyendo a media que los bichos se han ido haciendo más humanos. Ahora es fácil verlos escribir a máquina, conectándose a la web o montando en bicicleta.

The debate on the usefulness of art is vague. But there is one thing clear: “art is not only a decorative object” or a speculative act. There is something more, you need to have something more. Soul, sentiment, connections, discussions, messages, thoughts and as many as human beings are capable of feeling.

In this way, using art as an excuse, it confronts the classic formats with the human body to lay claim to the performance as the art which it is. Only the essence of the human being.

Whereas recognition of the inherent dignity and of the equal and inalienable rights of all members of the human family is the foundation of freedom, justice and peace in the world. UDHR PREAMBLE

The Universal Declaration of Human Rights is being systematically cut, article by article. From the institutions that are supposed to watch over it, whether by action or omission. All that remains is a romantic postwar between the lines because not even have a legal. But serves as inspiration for the various treaties ratified, in varying proportions, of the different nations.

Not only it is worrying that these rights are violating in developing countries, but also infringed in developed world. The crisis is always a good idea to cut. Socioeconomic differences testify. Human rights are always respected as long as there is money to pay them.

Dialogue about egocentrism of artists

Each day gays around the world keep casual sex without any mediation than their own flesh. Strangers maintaining relationships entirely impersonal. An extensive menu of mindless bodies are available 24/7.

Fuckin’ Melon is a subversive video that explores sexuality inside gay community in our time. Sex as a consumer product.

Two concepts completely different. Two pairs of hands far from each other. Without more defense than themselves, the Pianist and The Onanist are facing loneliness separately. Thus shake hands in the distance to make a SOLO.

Do the work no longer necessary since Duchamp proposed his first ready-mades. Any object out of context could become art. Everyday ordinary objects rise to special status when are used in an artistic manifestation. But this art requires an infrastructure to exist.

Art has become into a luxury that feeds a voracious market hungry for news, and that gives value to the objects by rhetoric. Money is the true philosophy of so-called contemporary art.

Fortunately art has not died. The production is massive and obsolescence of the works overwhelms. At this point is inevitable to ask the same question that Duchamp a century ago when he presented his emblematic work: What we consider art?

El artículo 56.3 de la Constitución española dicta que “La persona del Rey es inviolable y no está sujeta a responsabilidad”. Este hecho hace que el principio básico de igualdad de toda democracia se vaya al traste.